"The Hollywood Camera Work DVD course is THE definitive reference for scene blocking & staging. It is clearly the most comprehensive & effective learning tool available to help filmmakers of any level increase the cinematic value of their scenes. It's brilliant!"

Brad Blackbourn, DreamWorks Animation, Head Of Pre-Viz, Kung Fu Panda (2008), Director of Photography, Flushed Away (2006)

"This DVD set is the real deal. The 9+ hour course offers a true master-class in visual storytelling in a clear and accessible format. It has helped me as a Producer to discover a range of possibilities in shot-design I hadn't considered, and I would strongly recommend it to any serious filmmaker."

Gabrielle Kelly, Producer (Stag, All the Queen's Men, D.A.R.Y.L) and Educator (UCLA, Chapman University, LA Film School), BAFTA/LA

"HOLY SNAPPING PLATYPUS CRAP! These are amazing! I am REALLY blown away!!!!"

David Hague - Managing Editor VideoCamera Publications Oceania Editor for Digital Media Net

"Just wanted to say, I thought the Master Course In High-End Blocking & Staging was very well put together and an invaluable learning resource. It was something I'd been considering buying for the last ten years or so and I'm glad I finally took the plunge and ordered the complete set. It showed how much emotion could be created just through the movement and placement of the camera and how effective staging can be in telling the story.

Thanks for taking the time to put the course together, I've never come across anything similar and it did an excellent job in explaining all the concepts clearly and concisely"

Andrew Bean - Visual Effects/Director/Writer "Black Panther" (2018) "Man of Steel" (2013) "R.I.P.D" (2013) "John Carter" (2012) "Avengers: Infinity War" (2018)

"The Master Course is densely pack with wonderful nuggets and 'a-ha' moments. The information is presented very clearly and each re-watch offers up something new that was missed in previous viewings."

Stephen Marsh - Production Designer/Actor/Art Director" "Runaway Train" (1985) "George of the Jungle" (1997) "Cool Runnings" (1993)

"Hollywood Camera Works is a must watch for anyone creating visual media. The courses are excellent, they contain so many gems of information you will not be disappointed. No matter what field you work in films, web, games or broadcast you should see these courses."

Scott Hall - Producer - PepsiCo Previously FX Compositor at MTV

"I have seen the whole course, and it is really great and motivating. This is the future of education. I haven't found yet any better tool to explain camera movements like HCW does. Students get an over all view of camera movements and staging actors. For my lessons there is no better tool than these DVD's. An investment highly recommended for teachers, cinematographers and directors."

Tony Costa, Vice-President, European Federation of Cinematographers

"I recently have purchased the Hollwooodcamerawork DVD set, and truly was amazed by the amount of information and content these DVD's include.

Working as a Visual FX Art Director in the Film Industry, creating 2D and 3D development work, I really want to get more in depth information related to Directing, filming techniques and set up of camera and in general cinematography. I really love the fact that I can sit back and watch hours of footage created in 3D, that shows me exactly how to think on set, as well as animate the camera within a CG environment to set up a digital scene.

The DVD's also came with the project files and other related useful documentation, which is what I was looking for. I already learned so much, and also recommended this set to my students at the Art Center College of Design.

Thanks for making such a huge library and the years of experience available to the Industry."

Alp Altiner, Visual FX Art Director, Spiderman 3, Superman Returns, Fantastic Four 2, Alien Versus Predator #2 (www.alpaltiner.com)

"After watching these dvd's, you'll never enjoy movies the same way again. You will be too busy watching the camera moves. If you are starting out in movie making, these dvd's will set you apart from all the rest."

Tony Farley, NASA Visualization Team Leader

"The Master class is by far the best training material on blocking actors and camera work that I've come across. It teaches working with camera the way it should be taught--visually, and with a myriad of examples, building a comprehensive approach to this aspect of directing in a way that can be of value to people just starting out or those at a more advanced level. A resource to be watched and rewatched!"

John Helliker, Director, "Reluctant Angel" 35mm feature film, Silver Medal Houston WorldFest / "Screech Owls" episodic television, Discovery Channel

"I have learned more from your DVD set about blocking and camera coverage then I did from my entire film degree."

Shannon Robinson - Director/Videographer/Editor - SRP Studios

"It's really great and combined with the "working with actors" course it works as the best educational programm for direcrtors that I ever saw. The only thing I regret is that I haven't got it earlier. Should I watched it ten years ago, my first films would have been much better- that's for sure. Though, it's never too late to learn new tricks and I cant't wait till I use some new stuff on my next project."

Pavel Sanaev - Writer/Director/Actor "Posledniy uik-end" (2005) "Nulevoy kilometr" (2007) "Hooked" (2009) "Hooked 2: Next Level" (2010)

"The Master Course In High-End Blocking & Staging is a must-see course for every aspiring filmmaker. No book can deliver the knowledge in such a clear and comprehensive way as this course due to its visual nature. The knowledge contained in the course will allow you to bring the quality of your work from the amateur to professional level in a matter of hours.

It teaches you how to stage static and moving cameras, how to stage scenes with multiple characters,  how to reveal emotional events and emphasise dramatic moments with your camera. You will spend years to build all that knowledge should you not watch this course. Don't miss out if you are serious about film-making"

Dmitry Dolgov - Director/Editor/Producer "The Green Triangle" (2019) "Chainsaw Al: Jong Fong Clan Assassin" (2017) "Chainsaw Al: The Deadly Finger Story" (2018)

"You have created a course that has changed everything I do I developing myself as a Director and Producer.

As an independent filmmaker, both the Directing Actors and the Masters courses have been essential in me working with talented actors and crews and developing my craft and confidence. I have learned more from these courses than any other class or course I have attended and I think these courses should be mandatory to anyone looking to become a professional in the film or TV industry."

Alvin Burrell - Cinematographer/Editor "Blast Off" (2018)

"Master Course is a great resource – it's clear, comprehensive, and well-organized. The format makes it easy to find and review material. Thumbs up!"

Eric Shen - Producer "The Chozen" (2011)

"I took the blocking classes. I was able to learn many techniques of camera staging. The courses are very well structured, from the simplest to the most complex. There are many clear and very useful explanations. I recommend this pedagogical program that compares technique with scriptwriting. These courses are very concrete and allow you to learn more about staging and staging in the cinema."

Sandy Blanco - Composer/Director/Cinematographer "Rien que ca" (2020) "The Dead West" (2019)

"After viewing your classes, I have a much better grasp on camera movement and placement. Your classes provide the fundamentals and advanced camera work any film maker needs. I would recommend your class to anyone looking to improve their film making skills."

Noel Weatherbie - Photographer

"Amazing! This is more than a course. It is such a comprehensive exploration of shots and camera grammar that it should be any filmmaker's bedside companion. I will share its content with all my students and make it a must in their video libraries. I also suggest to my peers, that these DVDs could be the liberating and inspiring trigger at any time during the blinding stress and tension of their prep-work. Thank you Hollywood Camera Work."

Daniele J Suissa Directing teacher at USC, UCLA, and THE DIRECTOR STUDIO at CBS

"I can't believe it when other directors tell me they have never heard of Hollywood Camera Work or The camera blocking Master Course...It is hands down the best practical training available."

Matthew McCaulley - Director - Light of Life films "The Substitute" (2017)

"I'm a Producer for Fox Entertainment. I have years of training in production and Directing. But when I decided to Direct my own film, I bought your program. All I can say is after watching it a few times, and studying it, I learned more than all my years of school and work place. In fact my movie was shot using your techniques. To put a long story short, it was aired on PBS and won Best Program for 2005. So the program speaks for it's self. Anything you publish, I'm 1st in line to buy. Thanks."

Carlos Ramos, Producer, Fox Entertainment

"Master Course is a unique and precious program to acquire and refine skills in the practice of shooting. In its six parts, it completes all the situations where the camera "tells" the Director's thoughts to reach the Director's Cut.

Master Course allowed me to find in one experience, all the conditions that a Director must know how to put into practice and permit his camera to tell the story. Six lessons, many chapters for preview and study all the possibilities for using the camera as a storytelling tool in the Director's hands."

Maurizio Cartolano - Director/Cinematographer "148 Stefano: Mostri dell'inerzia" (2011) "Campania Burning" (2010) "Recital" (2010) "Aniene" (2011)

"I highly recommend The Master Course to directors and cinematographers, its hand on, clear and give creative insights to focus on in the craft."

Sandra Kawar, Producer/Director "A Facebook Romance" (2012) "The Unaccepted Reality II" (2018)

"The course is just terrific! I learned more by the third DVD than I had in my career so far."

Dean Mougianis, Visual Effects Supervisor, Post Modern, Pittsburgh PA.

"Redrock recommends The Master Course to all our customers who have purchased our M2 cinema lens adapter. With our adapter, film-style shooting with DV and HDV isnow possible, and with the techniques learned in The Master Course it rounds out everything needed to turn video into the true film-style we've all dreamed about delivering."

Brian Valente, Red Rock (www.redrockmicro.com)

"I have been studying and using the techniques provided in the Hollywood Camera Work Master Course in High-End Blocking & Staging course as I prepare for my feature film directorial debut. The techniques included in the course are concise, visually inspiring, simple to understand and apply, and thorough. I would highly recommend them to anyone interested in moving their career forward to the director's chair."

Tina Andrews, Screenwriter/Executive Producer, "Sally Hemings: An American Scandal" (CBS miniseries), "Why Do Fools Fall In Love" (Warner Bros.)

"By far the best instructional film-making DVD out there (and there are many). What's fantastic about this set, is it is utilized by ALL our instructors - directing, editing, cinematography, and the students can't get enough of it. And I'm serious, this is hugely popular. Only the book "In the Blink of an Eye" by Walter Murch rivals it in student popularity! Gosh, are you guys trying to put us out of business!"

James Fernald, Screenwriting Dept., European Film College (www.efc.dk)

"I originally bought the series for myself. The course was so well produced and useful, I had the school purchase a license and set for use in the classroom.

The response has been so overwhelming from my instructional staff that I have just made the recommendation that we look at purchasing a set for every student coming in to our digital film program as part of a standard issue kit."

Craig Bowman, Dept. Head Digital Media, Dept. Head Digital Film, Centre for Arts and Technology - Kelowna

"After studying the dailies from the show I work on, "Malcolm in the Middle," all of the camera and character blocking was way over my head. But after spending a lot of time watching these DVD's and doing various exercises Per came up with, I feel my own understanding of camera work has grown exponentially. I know the next project I do will be at a much, much higher level than the last. This DVD set is unparalleled."

Bill Hooper, Writers' Assistant, Malcolm in the Middle

"I get asked all the time for books on staging and camera movement. While there are quite a few out there, I just don't like them. Why? Because they are books! And they are books that focus heavily on storyboarding to illustrate technique. A pretty limiting way to learn--especially since I hate storyboards!

I was lucky enough to learn from a great director, Alexander MacKendrick, at California Institute of the Arts. Given that experience, everything I could recommend was sorely lacking... until now. Yes, just for you dear reader, I ordered a copy of Hollywood Camera Work to see if it is something I could recommend. I can tell you right now that its hefty price tag is worth every penny.

Hollywood Camerawork is a massive 6 DVD set of how to work with a moving camera. Nine hours of instruction! And I mean a real nine hours--if you blink, you WILL miss something. As I told a friend recently: "It's Sandy MacKendrick in a box!"

Dan Selakovich - Author of Killer Camera RigsThat You Can Build. (link)

"This series of instructional videos provides an extremely intuitive insight into the power of the camera as a narrative device. Prior to using these videos in the classroom, I would describe camera angles by dancing on the tables, turning around with my fingers shaped like a box, and drawing several dozen thumbnail storyboard sketches, followed by a "do you get it?" I'm usually greeted by timid nods and blank stares.

Now, I get a visible "ah hah" on the faces of these budding 3d animation artists. I have seen the quality of their camera work improve dramatically, and their story development grow by leaps and bounds. I only worry about the work of the students who don't get the opportunity to take my class. I have been evangelizing this series to as many instructors as I can at the Illinois Institute of Art/Schaumburg, both in the 3d animation department as well as the digital media production and video programs."

Christopher Tedin, Instructor - Illinois Institute of Art/Schaumburg

"I am a composer turned filmmaker and I have been studying and putting myself through a sort of self study film school and am well acquainted with what's out there. I have been learning about cameras, lenses, lighting and now with your course, staging and blocking.

Your course is by far the best resource for learning filmmaking than anything I have come across to date (in any subject matter) and believe me, I have been thorough in my search for knowledge. Your course offers incredible depth and detail. I have watched it in its entirety twice now and still feel that I am just scratching the surface of what's there. I plan on mastering what you present because I feel strongly that the techniques in the course will make me a much better filmmaker. Thank you for doing such an amazing job."

James Peterson, Composer, ABC's "Ron Hazelton's House Calls" (Series composer, 3 seasons), "The Last Cavalier" (international TV mini-series), 80+ TV commercials (international and domestic), Numerous documentaries for PBS and Discovery

"As an editor in feature films and network television (and a sometime director), I found The Master Course in High-End Blocking & Staging an invaluable tool. I have become obsessed with commiting the massive amount of information contained on the DVD's to memory by going over and over them again.

My editing work has already become more fluid and natural, and I am much more informed about what the directors who shot the material were doing (or not doing) when they shot it. The emotional impact of a shot choice or well chosen camera move have been added to my editing arsenal and have made my work more powerful and interesting.

I have the opportunity to do some directing over the next year or two, and with the Master Course at my disposal, I feel that I am getting prepared to confidently make decisions in the field that will maximize the material I am working with. My bachelors in film and video only began the teaching I needed to be creative and focused in the field and the editing bay. The Master Course completes it. I can't wait for the Directing for Special Effects course. Keep up the good work."

Jason Stewart, Editor, Extreme Makeover (ABC), Fashion House (FOX)

""Bravo!" Per Holmes has succeeded in creating a landmark treatment of the essential use of the cinematic camera. With an economy of delivery and many succinct examples, Per presents timeless fundamentals and practical considerations for effective and elegant cinematography. To know this material is to approach even the most elaborate production with confidence and create shots that bespeak of a mastery of the craft."

David Brickley, Supervisor Previsual Animation, Evan Almighty (2007), Universal Pictures

"This is great tool. The animation scene is rapidly becoming a 3-D world. Hollywood camera work is an absolute must see for any aspiring storyboard artist."

Lyndon Ruddy, Storyboard Artist, Disney's 'The Wild', and more.

"Hi Per, I've been telling everyone I know about your course. It has changed the way that I block and shoot. After 30 years in the business, I thought I knew everything. Thanks for proving me wrong."

David Hurd, Director

"I'm not kidding or exaggerating; The Master Course is absolutely the most impressive and comprehensive cinema teaching series I've ever seen, period."

Allan Caggiano, Ambassador Motion Pictures

"This is truly awesomeness on tap. Get it. Now."

Andre Hedetoft, Geek + Movie Director, www.andrehedetoft.com

"I can't think of anyone on "this" side of the camera who *can't* use this thorough, clear, detailed journey through the interpretation and movement of the frame. As much as I thought I knew, I learned much, much more - and continue to as I review it time and again. Thanks, Per."

Colleen Patrick, Writer/Director, www.cameracoach.com

"Before purchasing Hollywood Camera Work, I must have spent several thousand dollars on various filmmaking books, classes, CD-roms, DVDs... you name it, I probably purchased it.

I can honestly say I learned more from watching Hollywood Camera Work for half an hour than I did from all of these other sources COMBINED. The information in Hollywood Camera Work is certainly available in other forms and it's not like I hadn't come across this information before. So why did Hollywood Camera Work effectively convey the same information? Simple: the presentation. The 3-D models vividly explain ideas and techniques that a 2-D flat page cannot. The techniques become organic, more tangible. You can understand more readily not only how effective camera movement and blocking is achieved, but WHY.

The animated actors are a huge plus to the package. The fact that they are expressionless really lets you SEE how camera movement can convey emotion and tension in a way even live actors can not. It's a very effective way to show how important choosing the right camera movement for a scene is.

The information on the DVDs is vast. One viewing is not nearly enough. Watch it with a notebook several times and you'll be utterly amazed at how much greater your understanding of the use of the camera will be.

I admit upfront I was very, very skeptical on just how useful this course would be, having been let down so many times in the past. I fully envisioned myself watching one, maybe two of the DVDs and sending it back within the first 14 days to get a refund. That was definitely not the case, as the Hollywood Camera Work DVD set sits proudly at the top of my bookshelf where dozens of other "how to" courses used to reside.

If you have any aspirations to learn more about camera work and blocking, or to get a better understanding of how effective shots are made, don't hesitate to buy this course. As someone who has read and seen practically everything else on the market-including full-fledged film schools, film schools in a box, and weekend film schools-I say without reservation that Hollywood Camera Work is the most reasonably priced package out there. Easily worth the asking price, or twice that. There is no better way to learn camera mastery. Order Hollywood Camera Work, grab a camera, and make a great movie!"

Robert Jason Clark

"Hollywood Camera Work's Master Course in High-End Blocking and Staging is the most comprehensive, easy-to-follow, guide of its kind. As a Producer turned Director, I was looking for a guide to help better prepare my storyboarding process and to give me a "pre-visual" of what I might expect with certain blocking and camera movements for my shot-list. This DVD series was more than I dreamed of having as an aid to that process.

The precision, three-dimentional animation and the vast scope of blocking and staging included in this series transcends any possible training or course material covered at any film school or university in the world. For the price, it should be a must on any Cinematographer or Director's shopping list. It's worth every penny."

Michael Pacino, Latin American Film Producer, Director, Writer, with over a thousand film and video credits.

"I bought a copy of the Hollywood Camera Work Master Course and ever since has been around with me all the time, no matter how far I have to travel to shoot. It's become one of those things I jelously keep among my very personal stuff, I now cannot live without it. I watch a few chapters everytime I can, on the plane or before going to sleep, and I can never stop thinking what a priceless piece of work this is. Thanks a lot Per and please keep it up because I can't wait to get my hands on your next course."

Enrico Trippa, Advertising Film Director, Spain/Italy

"I bought this as a skeptic and I have to say after just watching the first video I was blown away with the amount of information crammed into this course. The insight into the psychology of the viewer is astounding not to mention the techniques of the camera. This is more than just a tutorial on camera use, it's an entire philosophy on the art of cinema."

Dustin Dooley, Progenitor Productions

"I am producing/directing a children's video program. Being located far from a major production center, I originally purchased the Per Holmes' series upon recommendation of Scott Billups as just an orientation to directing and blocking. I'm glad I did! It was money very well spent. The Master Course in High-End Blocking & Staging course will save me a lot of money, save me a lot of unnecessary grief, and save my project from the unforgivable sin of looking amateurish.

You can take a lot of courses on filmmaking, movie production, etc. and still be left in the dark about what is actually required to direct and produce quality camerawork. At the very least, you will have two important realizations as you watch the course. First, the cost of quality production is tied directly to the time it takes to set up multiple shooting angles (i.e., all the people standing around doing nothing while dallying with the camera setup). Second, it's going to be hard to find a camera operator or director of photography or whatever on a limited budget that can approach the quality of work taught by Per Holmes's course. (The guy who works at the local TV station or who makes wedding videos just won't do.)

I've seen larger budget movies (you know, the ones with the house trailers and noisy generators) disastrously fail to even approach the camerawork quality standards that you can learn yourself in the course. By obtaining the equipment recommended and studying the techniques taught, I am confident that my production will have quality blocking, edit together smoothly, and convey to the viewer a high sense of quality.

Even if you do not intend on doing the camerawork, the course pays for itself a hundred times over as a benchmark for judging and evaluating demo reels from the director of photography you are considering for your project. (It may make you rethink that hire.) The only criticism that I have about the course is that I will never be able to watch another episode of Star Trek - the Next Generation without thinking of Per Holmes' course."

Phil Brockett

"The Master Course was a Godsend for me! And an invaluable tool for every aspiring filmmaker! I wish I had gotten my hands on it before shooting my first Hollywood feature film, it would have saved our production a lot of money that was wasted on experimental shooting.

With the Master Course you learn to Direct with confidence and get to see what shots and setups work and don't work before you step foot on the set or spend one dime on production. Prior to owning it, I had bought just about every directing book and video on the market, but absolutely nothing compares to this. It even gives full insight into the psychology behind the shots you should choose and why the professionals make the choices they make.

The Master Course is actually even better than film school because it offers in depth 3D visual demonstrations a lecture can't give. And since it's on video you can replay it again and again and learn at your own pace. Because of the Master Course, I will definitely be a better Director on my upcoming project. Thank you to the creators of it! I owe you much more than the minimal amount of money I spent on it!!!"

Nnegest Likke, Screenwriter/Director, Phat Girlz

"I've been using the Hollywood Camera Work Master Course in High End Blocking and Staging DVD set to help me become a better teacher to the students in my High School TV/Film Production class. I've shown several short segments to them during their pre-production planning to help them plan better, more professional looking shots. So far, so good!

This is a very informative DVD set and I am learning a lot from it! Thanks for putting such a great resource set together. I hope to one day purchase the Hot Moves DVD and the Visual Effects for Directors set to further enhance my program."

Eric T. Martin, M.Ed., TV/Film Production, Warren Woods Tower High School, Warren, MI

"Your 3D animated video is an amazing way to learn blocking . A big difference between a wannabee, a newbie, and a pro is experience (repetitions). Each time you watch is adding experience. As words are the tools for thought, I now have the ability think camera angles, placement, and movement. This was not learned as rote templates I must conform to, rather as emotions, perspective, and scope that can be expressed through the camera.

Now that I have taken the course (and will again and again) I am a newbie with a cocky "been there done that" attitude. Great work and thank you!"

Ken Adams

"I am very impressed with the Course.

I have read as many books about film directing as there are in amazon.com (Steven Katz, David Mamet, you name it). There were some insights but nothing that could really help me become a much better filmmaker. I still saw my favorite movies and wonder, how did they do that? Why does it look so professional, so cinematic?

Now I know. After watching the first 4 volumes now I can see all those movies and go: "of course, that was a handoff, with deep staging, then a pan reveal pivoting on the object in the foreground". Now I understand the cinematic language that was elusive to me.

I am now ready to face the new challenges in my animations and hopefully in live action. I cannot say that I am already a better filmmaker, because it is still difficult to speak this new language. But I can understand it much better, and in doing so I am learnig from every movie I watch. Lots of movies that I admired, are now beginning to surrender their secrets to me.

On the last two volumes I can't say they have worked for me, because I have not filmed anything since I got the course. I still have my doubts about the annotation system, and sometimes it looks to me as if some of the tracking shots are too difficult for live action. I constantly wonder if this is the way my favorite directors work, or if it is worse, or better."

Ricardo Cobo Audry, Mexico

"Last December my college instructor for my "Advanced Cinematography" class brough the DVDs in and we spent the week watching all the dvds and afterwards, I've never DP'ed the same. My camera skills have changed for the better so much.

As you watch the DVDs, they give you so much info and tips, that afterwards - when you go out and shoot, you somehow feel out the shots in a different and better way. It's like after you read a Tom Clancy novel, for the next two weeks after, you're using a lot of complex words and you formulate your sentences in more of a Clancy-ish way... What I'm trying to say is, these dvds are very very influencial and a must for anyone directing, shooting, and writing. It changes your indie-style to a more professional style."

Tom Laughlin, Utah Valley State College (senior)

"The Master Course in High-End Blocking & Staging is a masterful DVD set filled with principles that teach a comprehensive system of blocking. After viewing the discs, don't be surprised if you find yourself imagining how you could block your conversations and interactions with others, I know I do!"

Ken McClintock, Australia

"I was always interested in cinematography, blocking and staging. Being a big self learner and always wanting to know why are the things this way or that way, I always asked myself (at least before I got the set:) questions like this: Is blocking and staging just creative and artistic or is there a science behind it; if there is - how much? And how do I learn it?

Reading the books on cinematography was helpful, but still - the still pictures and words never really gave much of visual explanation. Hollywood Camera Work set has been an incredible tool to explain the techniques I wanted to know about. It covers way more than many DPs or directors know and use. It showed me how to tell my stories dramatically through camera angles.

The way the set is done is an amazing concept - it takes expressionles 'computer-generated' models in a 3d space and explains the camera angles as if you are an observer on the set, and then shows you the work of these cameras. If you were to read a book on this with pictures, or attend a seminar - there's no way you would learn as much in such a short period of time.

It is a very valuable asset for any filmmaker to have in his/her library. If you have a solid script, add great actors performances and what you learned from the this set - you have an incredible product.

The DVD's are definitely not a 1-time watch. I want to go back to it, try to remember each technique and master it on actual shootings. If you study the set, your camera work will be, just like Stanislavski once said: "The difficult becomes -- habitual, the habitual -- easy, and the easy -- BEAUTIFUL".

Thank you for such an incredible package."

Alexander Alexandrov, Producer, Independent Films

"Can you imagine how difficult is to find good material in south america? We have a very deep tradition on creativity, but after HCW I learned that all creativity cannot be supplanted by such comprehensive stuff. Outstanding!"

Luiz Roberto Meira, Brazilian Executive Producer

"If you've tried to read "Grammar of the Film Language" by Arijon or "Film Directing Shot by Shot" by Katz, then you know how difficult it is for a book to convey this kind of information. When I first watched the Master Course, I felt like those books had come alive. I also thought to myself "video is the perfect way to convey this material, books just can't do it right!" This series is a must-see for anyone who wants to direct. It's worth every penny. It's the perfect gift for anyone who wants to become a director. I plan on watching the whole thing every 18 months or so. Did I mention I really, really like it?"

John Cordell, Writer / Director / Producer, CordellWorld Producctions

"I am very happy with the Hollywoodcamerawork DVD series I bought last months. Hollywoodcamerawork DVD series is teaching me more techniques about blocking, staging, camera work, and even cinematography than the two film school I attended in Los Angeles. I want to thank Mr. Per Holmes for the time he spent in the creation of this product. I really recommend the Hollywoodcamerawork DVD series to any filmmakers who want to improve and to polish up their knowledge."

Lenin Valladares

"I learned more about film blocking and staging from my first viewing of this DVD set than I did from years of education and training and my library of film directing books. If you want to have the tools to tell your story more effectively, and want to create films with a higher production value, The Master Course in High End Blocking & Staging will provide you with the knowledge you need."

Derrick Nelson, Producer/Director, Rising Tempest Productions

"I have had past poor experiences with learning anything from a computer. This product completely turned me around. If all computer-based learning were this good, this intense and this involving we would not need schools anymore. I am amazed."

Chris Byrnes

"I purchased the Hollywood camera work course recently. I am very impressed! After my first short film - this is just what I needed. Many, many thanks! My directing will never be the same!"

Tania Seaman

"I really appreciate your DVD's. I've started to watch the DVD's and they're literally eye opening. Now I see movies with a different eye. I'm beginning to understand what camera works really means for a movie and what can be achieved even for simple homevideo scenarios. Nowhere else I've seen such in depth detail on how to do camera work. It's the most valueable material of its kind I've ever seen. Thanks for your hard work!"

Timon Royer, Digital Media Designer

"Awesome, Simply Brilliant! This DVD set is a film school itself. I would like to Thank Per Holmes for putting this Master Course together. This course is a best tool for directors to discuss the camera movements and shot design with Crew/DPs."

Jaskaran Singh Sahota, Writer / Producer / Director, www.bridgepointfilms.com

"By watching "Hollywood Camerawork" I've learned more about camerawork than 4 years in film school. An excellent tool and worth every dime!"

Niels Nørløv, Director, Denmark

"The Master Course in High-End Blocking & Staging is must-buy for anyone looking for concise, yet thorough instruction in getting that polished Hollywood look to a film. Moreover, a lot of the information is vital to those less experienced film makers who need basic instruction on how to cut between camera shots and make the cuts "followable" and not confusing. Things like the 180-rule, avoiding cutting between shots that are too similar etc. are very important lessons.

The use of expressionless mannequins as actors is a master stroke. At first, it seemed a little odd. But it really shows graphically just how much emotion a camera move can bring to a shot. I had to rewind a shot more than once to prove to myself that the mannequin's expression was not changing because the camera move itself brought so much emotion to a shot. A great lesson learned.

Unless you are a seasoned Hollywood veteran with many years of experience, you will definitely learn at least something from this course. Most people will learn a lot.

Thanks for a great product."

Mike Smith

"The Master Course in High-End Blocking & Staging is a valuable learning tool. The dvds are easy to follow, but they are quite comprehensive in their scope of material. It doesn't matter if one is interested in narrative filmmaking, commercial production, or even digital animation. The skills gained from this Hollywood Camera Work series will make anyone a better storyteller."

Brian J. Harris, Unum Pictures

"So far, I have only worked through the first DVD over a period of 2-3 weeks. However I finally understand./ have a deep insight into many of the basics which have eluded me over the last 2 years, despite reading many many books and magazine articles on the same topics. I am eagerly anticipating the rest of the course and would heartily recommend this brilliant course to any aspiring film maker..."

Mike Kohler

"I'm so thankful to Mr. Per Holmes and his course in camera work which is aptly named a "Master Course." The presentation is so refined that it could be viewed over and over again and each time gleaned for more and more. I am convinced that this course is going to give my blocking the professional edge that otherwise would have been evidently missing. Special thanks to Alex Lindsay and the PixelCorps who introduced me to such an indispensable piece of my filmmaking education. Thanks Mr. Holmes!"

Scott Potestio

"I'm still working my way through the Master Course in High-End Blocking and Staging, finding the material so thorough and foundational that I need multiple passes through the course to absorb it all. The course is splendidly produced and organized and I am more than delighted. I've gotten more than my money's worth."

Frank E. Peretti

"The Hollywood Camera Work DVD collection is superb. It has already given me hours of very professional lessons on the many important aspects of camera work and I am only half way through! These lessons are extremely clear, well thought out and bursting with extra information. This is an essential purchase for anyone wishing to gain a deeper knowledge of camera work, further develop and improve cut scenes, or even improve their portfolio. Highly recommended."

Chris Woods, 3D Artist, Rare Ltd.

"As a student in film school, this is the best course I've taken."

Nick Szpara, Third Year Film Student

"Hollywood Camerawork DVD set – This is a 6 DVD set all geared towards camera work. It tells you how to block your shots, compose your shots, how to create moods using only the camera and not relying on your cast. Think Alfred Hitchcock – he was a master at creating a mood just by using the camera. Many times he would tell his actors to just stand there and do nothing, and he'll take care of what needs to be done. This DVD set runs about $479 but when you compare this to a forty thousand dollar film school degree, it looks pretty darn cheap. These DVDs are incredible and will make filmmaking more enjoyable and more intuitive. This is a big must have."

Adam Rench, Author "The Indie Filmmaking Guide"

"I would like to say that I have enjoyed watching the DVD's so much. I'm an animator, and having such knowledge about camera blocking can intensify the drama in my animations. I have never came across such an excellent learning method before."

Gel Haddad

"What an amazing product!!! A must have for anyone starting out in film!!! Good job!!! Maybe one of the most important learning tools I ever had, THANK YOU!"

Jamie Ridge

"Oh, if only they had shown this to us at film school!"

Jamie Waese

"My name is Aleksander Kogoj and I am a director for TV commercials in Studio Alex. I went through all 6 dvds, and find that this is really great tool for directors and cinematographers. There's detailed explanation of every tecnique possible. Some of them are expensive to execute, but with your simulation dvd I can get a lot of ideas, before spend any money for expensive cranes and dollies.

The other fine thing is that the characters don't have any facial expression, so you could easy fell the input of the camera movement.

My conclusion: The Master Course in High-End Blocking & Staging is a great tool for pro directors and cinematographers and is worth every penny of the price."

Alex Kogoj, Studio Alex (www.studioalex.com)

"HCW is excellent for bringing anyone up to speed on how to place cameras quickly, efficently and with excellent results.

The content covers all the basics but with good pacing so it doesn't get boring, and from there it gets very advanced.

Goodbye storyboarding, hello camera placment diagrams, this enables efficient camera use, much easier planning for clever camera manouvers, and helps to ensure there is sufficent coverage for editing.

Don't be put of by the 'look' of the 3D it is made that way on purpose to give excellent clarity on what exactly the cameras are doing and their effect created by their position, zoom, and focus.

I highly recommend this course, it is full with excellent knowledge."

David Kerry

"As an educator and technical trainer, I have found the Master Course to be of great value to myself and to the seminars and classes I use it in. It is to the point and the production quality is very nice. As an instructor for the non-profit New Orleans Video Access Center's new Digital Filmmaker Institute, we will be using parts of this program in our classes.

The information is invaluable and clearly explains how camera placement and movement have as much of an effect on the story being told as the actors and sound track to. It is also a great source of inspiration for those times when you're not getting a shot set up just right. I recommend it to anyone needed to learn very in-depth blocking and staging techniques."

Ben Balser, Apple Certified Trainer, Wolf Digital Media

"It's better than any physical filmmaking course I've taken. Superb presentation of camera technique."

Joseph Suowon, Axis Entertainment

"I want to thank you. The High End Blocking and Staging dvd set was really great. From watching all the dvd's it's clear that you put a lot of thought into the lessons and how to start with simple concepts and then progressivly build on them with each chapter. I'm currently working on my own 3d animation project, so I watched all the dvd's through once, and now as I block out scenes for my project I will watch a relavent chapter or two to help me solve a particular problem.

In fact after watching the dvd's I changes a few camera moves in the scene I was working on. It's tricky with Computer Graphic characters to properly convey emotion. I had a shot where a Fugitive character walks into a pub and sees the Town Constable sitting just inside, staring at him. The original shot was bland, flat. In the new shot, when the Fugitive character sees the Constable, the camera move gives you the strong sense that the Fugitive is uneasy.

I had previously bought and read four different books trying and failing to get the knowledge that your dvd's provide so clearly. The logic of how, when and why you would use a particular camera angle or move.

Thanks a lot!"

Bert Huntsinger

"I have found the (Master Course in High-End Blocking & Staging) very rewarding, I am studying Character Animation and I think it's a very valuable educational tool that demonstrate some very necessary blocking methods in very simple and clear terms."

Fuad Sabri

"I became aware of 'The Master Course in High-End Blocking and Staging' by way of an internet advertisement. I am a new comer to film and I am in the process of writing and directing a short animated film. At first I thought, 'why buy this product, how could this possibly be helpful since I am doing an animation film?' After a few doubting moments I decided to spend the money anyway. I was hopeful I might get a few ideas on how to make my film better.

I watched the 6 DVD's and was astounded at the quality of information covered in the 'Course' with regards to all the technical aspects of camera work. I discovered it makes no difference whether you are working with live-action or animation, a person can utilize so much of the camera work information from the DVD set and make their film better.

To my pleasant surprise I realized that its value far surpassed the amount of money I paid for the set of DVD's. I felt as if I had gotten a terrific bargain. And in return I have told many of my comrades to purchase the DVD set."

Stan Herrmann

"Digital media technology is revolutionizing film production. With digital cameras and editing software, access to equipment is no longer a show stopper for anyone who has a cinematic story to tell. But learning how to tell a story visually is an entirely different matter. In the past, filmmakers have mastered the visual language of cinema - i.e., the art of staging and blocking for the motion picture camera - only through years of apprenticeship and/or years of trial and error.

This is not a realistic path for those of us coming to filmmaking from other backgrounds or careers; we sorely need effective learning tools. Per Holmes' achievement with "The Master Course" is nothing less than to do for filmmaking pedagogy what the new technologies have been doing for film production: breaking down barriers.

He has developed an exceedingly comprehensive, detailed, and well-organized guide to film staging, in a format which, unlike even the best books on the subject, matches the medium to the message, communicating the ideas and techniques in the most direct, intuitive, efficient way possible. In the field of film directing instruction, Per Holmes has dropped the bomb! Seriously."

James Mahoney

"Within minutes of watching, I knew the quality of my work had just increased several times over. I have several productions in development at the moment, and each & everyone has benefitted through the information supplied within this course.

Quite simply put, this course is the business!"

James Lundy M.M.Inst.V, The Video Company

"Your videos are brilliant. I would not hesitate to recommend them to anyone seeking to better understand the language of cinema. As a professional artist in the video games industry, these videos are an invaluable tool for evaluating the clarity and impact of the images I create. I watched them with my brother who told me that he learned more from Hollywood Camera Work than he did during his entire time in film school. Great job! I look forward to your next release."

Simon Craghead, President, Dark Mansion Media

"Simply put, NOTHING illustrates effective camerwork techniques like Hollywood Camera Work. I've watched the entire course several times through and learn more from it everytime. It has been an essential tool in my development as a commercial director and I use the techniques I've learned in this course on every shoot. Excellent, excellent, excellent product that is worth 10 times more than than the cost."

Matthew Guerra

"Thank you so much for putting this together. I live in San Antonio and film work here is rare. Following and practicing the set-ups in your DVD set are just about the only opportunity filmmakers here have to experience advanced camera staging.

I watched the whole thing from start to finish and was blown away. It's like drinking from a firehose. Now I am in the process of rewatching each volume over and over. I set up my camera and dolly and practice each shot and each move. Use the online resources! Grab a couple friends or manequins and shoot the set ups. The sample scripts will get you through each set up and are an amazing aid to helping you set up your own. No teacher or classroom environment can be as comprehenvise as Hollywood Camera Work and no work environment will ever be as patient. Buy it!"

Andy Miller

"We have found The Master Course in High-End Blocking & Staging to be instrumental in our pre-production and pre-visualization process. We use the Master Course to help us determine where to place 3-D tracking points in the studio and then communicate this information to our 3-D animators and compositors. This saves us time and money during production and post-production."

Dan Kattman, Producer, Lightning Rod Studios

"After watching The Master Course, I couldn't believe how much information was included in the DVD's. I am not sure if you could find this level of instruction in a college course. The cost of the lesson is negligible compared to the education you receive."

Gil Gillis, Gillis Video

"Straight to the point, simple but not simplistic course that answers most of your questions, if not all. Priceless package!"

Oliver S. Ojeil, Film Director

"I couldn't be happier with the Hollywood Camera Work course. The lessons are direct, concise, and packed full of information. As an aspiring filmmaker, I thought I knew a bit about blocking and staging. The first thing I learned from the course is how little I actually knew. The methodology used -- expressionless animated characters -- was a stroke of genius and really lets you see the effect of the camera at work in enhancing emotion.

I can safely say that this course has saved me years of painful trial and error; it's the best money I've ever spent in the pursuit of filmmaking excellence and I know I will be watching the DVDs over and over again. Thank you for a great product."

Darren Miller

"The Master Course in High End Blocking and Stagipng is an incredible tool for any director. It's simple, direct, covers all the bases and opens up a lot of doors. I wish I'd had it sooner but I'll settle for all it's taught me now."

Gordon Hunt

"I think it's a great product. It's easy to understand and practical.I really enjoy it!"

Lo Ka-Wai

"I want to buy your company and shut it down so I'll be the only one who truly understands how cinematography really works in this business. Please don't be too successful with this."

Craig Brookes, Blue Dahlia Films

"Very clear, interesting and inspirational. Even though I have many years experience in directing TV, it made me feel there were definitely things in the course I could learn from. I wanted to let you know that the course is, in my opinion, fantastic, a tool all can learn something from, professional or amateur."

Joy Perino

"The Hollywood Camera Work Master Course is the best educational resource for mastering the art of motion picture outside of film school, period."

Reed Simonsen, University of Southern California, School of Cinematic Arts

"The Master Course is unbelievable. What a resource! When I tell my people about this DVD set, they laugh because they think there can't possibly be enough to learn about blocking and staging to cover a 6-DVD set and that it must be loaded with extra fluff to jack up the price. Well, let me tell you -- each of these DVDs is essential, and each keeps a quick pace. There is no filler here. The principles of making high quality movies are on display, and rendered with clarity.

This is a must-have DVD set. I mean every single word of it. I can't tell you how much I value this set. Great work."

Steve Miranda

"I found that the information given in the DVDs is the most unique and comprehensive learning series on directing, one of the best directing courses on the planet! I am waiting for the next series on visual effects directing."

James Chung, Producer/Director

"An outstanding, fantastic, exhaustive guide on anything and everything about working with the camera professionally. An absolute must-have for filmmakers both experienced and beginners."

Emelian Chernyavsky, Filmmaker

"The Master Course in High-End Blocking and Staging has absolutely blown my mind. The level of detail is amazing and I still can't get my head around how much information has been packed into the course. It's hell for leather from the way 'go' and it never slows down. I've watched it through once now and I'm itching to start again. This will keep me occupied and entertained in equal measures for a long time."

Antti Poussa, Filmmaker

"I bought this set because my teacher talked favorably about it in one of his classes. I can unequivocally state that for the price, this DVD set is a steal. I am a film student now learning the basics of filmmaking. I can tell you that I learned more watching 2 of the DVDs in this package than in one year at the school (no kidding), and I still haven't watched all the DVDs. If Hollywood Camera Works had asked me $1000 for this package it would still be worth it because you can keep this set as a reference for many years to come."

George Kouyoumjian

"I have taken two semesters of film study and put together they do not compare with just one Hollywood Camera Work DVD! These DVD's are totally awesome!"

Reg Robinson

"If you are an animator or CG artist and you want to make the big leap and be a director this is a must. The most honest and solid piece of information about blocking and staging I have ever seen. A complete course, all in 3D clear and intuitive."

Gherardo Martin, Freelance Maya Artist, Italy

"I highly recommend "Hollywood Camera Work". After having experienced the master class tutorial I have found it to be concise, easy to learn and rich in knowledge."

Jon Abraham, Straight Curve

"The most exhaustive instruction I have experienced. A private university for the videographer or cinematographer that can be viewed over and over again. The price and the knowledge does not compare to any class i have ever taken. - I highly recommend."

Alexander Gali, Director and Cinematographer

"When I came across your web site I was contemplating to take a break from my job and go to a film school. After going through six DVDs of Hollywood Camera Works, I have changed my mind to study the filmmaking techniques by myself. These DVDs are good stepping stones. Now it's up to my dedication and commitment. Most of the film schools (now a days) may not deliver this much."

Satheesh Kumar

"There is no faster way to raise your skill level!! It's "total immersion"."

John Tulin, Certified Mac Pro

"This is the best tool ever."

George Marusca

"For not coming from the Film industry, these videos were a great insight into blocking and the techniques to create mood and smooth transitions. It was particularly helpful to see the set layout as a whole and understand camera placement and movement, and then see the resulting shot that is created. Very thorough and very helpful."

Thanks, Tyson Kartchner, Sketchup

"Your DVDs on camera blocking are utterly amazing! They are very comprehensive, easy to understand and practical for a director like me. After studying your DVDs, I am watching films with new-found insights and have since learned to appreciate them more. I have to commend you for your efforts! Again, thank you...."

Alan Pahng

"We had a group of 3d animators that needed to get up to speed with the language of film and rules of blocking and cameras. After watching the DVD's our animators were much less frustrating for our Director to work with. They are excellent teaching tools and very comprehensive."

Geoffrey Hancock, The Nerdery

"I am creating a documentary film and needed to get up to speed with directing. I read lots of books but none compare to this course. There is nothing like seeing what to do - the before and after. The content is deep and perfect for my needs. Great to have a resource like this on DVD."

Eric Cohen

"In these times, it's rare to encounter a professional product as exceptional as you and your staff have created. Being in the field of cinematography for almost thirty years, I thought I knew much concerning blocking techniques. I can honestly say I've never seen a better training tool on the subject as yours. I would have paid 10 times the price of your product to attend a seminar to gain the insight that is revealed in these courses. No matter who you are or what you "think" you know, I promise you can pick up plenty form this course... it's simply a must have!"

Jimmy Young, President, Newcomer/Young Productions

"Hollywood Camera Work is the most amazing comprehensive collection of how to do it right in the film industry. Talk about Film school in a box... Save your time and money on taking classes and getting certificates and degrees and push yourself to learn this material...

Anyone interested in making themselves the best they can be should add this to their collection and use it as a BIBLE. The time, energy and MONEY it will save you can't even be estimated...just know that without it, you will perish if you don't do your homework."

Mark W. Shelton, President, Markmation Productions

"I am very impressed with the step by step approach of this very complete video set. I view it over and over, at any location - on the train, at lunch, even prior to shooting. Versatile and good reference, indeed."

Lihan Chen

"I found in the Master Course a great tool to keep developing myself as cinematographer. I feel I have learnt and understood a vast quantity of new things and techniques that certainly will be an enormous help in my career. Without excluding credits to books or others sources of information, I think this method with hundreds of examples in High-End Blocking and Staging is the quickest to comprehend the enormous amount of knowledge and skills the Master Course offers."

Marco Mora, Cinematographer, DP.

"I wish I had spent the money on these DVDs before I spent money on equivalent programs from a university. Not only do they do a more thorough job of actually showing what blocking is all about, but the Hollywood Camera Works dvds provide a great reference when ever you need it. Thanks, Per!"

Steve V., Las Vegas, Nevada

"Per kommt gleich zur Sache, 100% Lernerfolg!"

Fernando Samillan, Dresden, Germany

"Shooting your first feature is a daunting prospect. That's why I purchased The Master Course in High-End Blocking and Staging. It was money really well spent! Not only has it given me confidence knowing that I'm on the right track, but it has saved me hours of wasted time with story boards. I can communicate to my DOP what I'm trying to achieve clearly and easily, and adjustments to blocking are a snack. I highly recommend this finely crafted course. I've learned more about blocking from these DVD's than in three years at University."

Warren Ryan, Writer/Director, Shadows of the Past

"TX-2.tv are a London based video production company, specialising in the production of documentary and music video's.

The availability of such concise and implicit instruction has been invaluable for training, refreshing and providing new ideas. The sections on camera movement were particularly useful as we use a lot of crane and dolly moves and provided some very insightful instruction, which we have utilised already.

We all found it fascinating that despite the 3D characters deliberately having been created to be expressionless, the camera moves and positions made you feel that they were indeed expressing the emotions intended."

Keith Harding, Director, TX-2 Broadcast Ltd

"Hollywood Camera Work's excellent "Master Course in High-End Blocking & Staging" has been invaluable to me as I build my career in the industry. As I currently work on the business side of things, one might not think such a deep and technical course in production would be of much use. On the contrary, I have found that watching these DVD's have given me a new appreciation and understanding of the art of production and a solid basis for communicating to the creative element.

As a writer, this course has given me a new confidence in visualizing the scenes I imagine, and, In the future, when I do plan to transition into directing, I am quite sure I will re-examine and refer to these comprehensive lessons frequently. Additionally, the staff at Hollywood Camera Work were incredibly helpful and efficient. I recommend this course to anyone in the business, in any capacity, who wishes to deepen their understanding."

Max Gilford-Smerling, Lakeshore Entertainment

"This DVD set is nothing short of brilliant! A must for anyone interested in the art and language of film,TV and comic books."

Jon Higgins (media communications student)

""If you want to move beyond the guessing game of getting the most out of your shots, then it is imperative that you get your hands on Hollywood Camera Work, by Per Holmes. I have found this to be the most complete, authorative structure on camera blocking and staging on the market. The amount of information contained on the DVD's is so immense and well thought out that even an experienced producer, director or operator will leave with something.

In addition to the DVD's, you get exclusive access to the forum where all the topics covered in the DVD's are discussed. If you can master what is explained in the DVD's, it will save you time, money and most importantly, bring a new dimensional quality to your work."

Richard T Meyer, CEO, L7 Music & Video Productions Ltd

"I recently purchased your master course and I felt compelled to write and tell to just how happy i am with it.

I am currently attending film school here in Melbourne Australia and I have to say that watching you production has helped me immensely. The DVDs have been so carefully put together and the dialog is so well thought out and helpful that it is a joy to watch.

I can't wait for my next project so I can put all that you have taught me into action. I'm sure that, like me, there are many other filmmakers out there who are telling their stories a whole lot better thanks to you guys. Thank you once again for brilliant program."

Travis Bigg, Film Student, Melbourne, Australia

"I just wanted to take a moment and thank you for producing the Hollywood Camera Work DVD set. I am only now midway through the course (completed disc 4), but I have learned so much about using the camera to create emotion. I don't think I ever really considered the non-technical 'science' behind good camera work. My only regret is that I did not learn about this course before my first attempt to make a movie. There are so many things that I would now do quite differently that would have resulted in a far superior production. Again, thank you very much."

Gaines R. Johnson, Broadcast Engineer & Senior Foreign Service Officer, Indy Filmmaker in spare time, Kuwait

"I got the DVDs 2 days ago, and I MUST tell you, I was TOTALLY blown away. I've indeed bought and read a lot of books on the subject but it all never quite came together until I saw just the first 1 hour of your master class, I wonder what will happen by the time i get thru the whole series. It so amazing what you've done, and I guess you can (and never will) know the full impact of your knowlegde on all of us, especially those of us in Africa where the movie industry isn't as detail and complex as the rest of the world.

There's nothing I can write that will justify what I should have written. Perhaps someday Africa will tell you thank you thru the screen."

Sura Shote, Filmmaker, Nigeria

"I recommend "The Master Course In High-End Blocking And Staging" to all serious filmmakers out there. It is powerful and inspiring. I will not start another project without first asking my cameramen to purchase and watch these DVDs. The useful staging and camera blocking terms tought in these volumes help me save a lot of money and valuable time communicating to my crew so I can spend more time with my actors. I wish I had this learning tool 15 years ago."

Sia Tavakoli, Writer/Filmmaker

"My name is Mark Gorobets and I'm Director from Ukraine. Some months ago my friend bought me Hollywood Camera Work course, which I had wanted for a long time. I'd like to say big big thanks, because this material is really brilliant. The course really helps me in my everyday filmmaking practice. It's simple, useful and professional."

Mark Gorobets, Director, Ukraine

"Hollywood Camera Work is truly "Film School In a Box!". I can't say enough about how remarkable this master course truly is. Without these wonderful instructional DVD's we never would have been able to finish our first productions, Highway Hunters, highwayhunters.com. Thanks Hollywood Camera Work!"

Christian Simpson, DP, Catch the Moment Productions

"The reason I bought The Master Course was because of the high-quality demo you had on your web site. I truly learned a lot from the free info you provided. And, in using these techniques, I've shot some pretty amazing video on a simple hand-held camcorder. Now, after purchasing and watching the entire DVD collection, viewing movies and teaching film studies has become a whole new experience for myself and my students.

Per, you really did your homework. Every shot imaginable is on those DVDs, and they're well worth the price. Of course, I made the mistake of letting my daughter watch them, and now SHE "owns" them. She is studying to be a film director at Arizona State University, and these DVDs have catapulted her years ahead of her peers. I'll never see those DVDs again... (so, if you have a another set lying around that you want to get rid of, I'd be glad to take them off your hands). Again, thank you for producing such a high-quality product and let me know when your next installment hits the market. You've made me a customer for life.

If anyone would like to email me about recommending The Master Course, you have my permission to include my email address."

George Haughton, Film Studies Teacher

"WOW! I've only been through the first disc and it has endless amounts of information to study, just the FIRST disc! I was amazed at how camera movements and placement of the camera can create emotion! I was in awe through the whole thing! THANK YOU!!! Rumaldo Holguin, Designer, Digital Matte Painter"

"I just had to study the first DVD for five minutes before I felt "WOW this is exactly what I've been looking for". Every sentence is filled with experience and so much knowledge. I feel I have learnt a new way to analyze movies to. Even though I knew it before it becomes even clearer new; everything is planned in a movie. A slight camera move is there to express something specific."

Gustaf Sylvin, Ericsson

"I learned more through watching the High-End Blocking & Staging series than any other directing course I have taken. I have reviewed the entire series no less than three times since. The lessons were logical and well taught with VERY practical examples. No fluff. I would recommend this to any director, writer, or producer."

Shannon Newton, Producer, Nickel Tour Productions

"Just writing in to say that I am entirely pleased with the quality of Hollywood Camera Work. We just started our production company last year and I can say that, with the density and clarity of the information presented in the DVD set, HCW was our most important reference. Furthermore, everyone in production, not just directors, should watch the entire set."

Paolo R. Leaqo, Creative Director, Praxi, Inc., Philippines

"Hollywood Camera Work is so thorough that it would be wise for its viewer to watch only a clip at a time, take notes in order to absorb the information and then move on to the next segment. Furthermore, if you let it seep into your faculties, it can help you to devise and organize shot selection and meditate on the edited product even before you shoot."

Juan Alvarez

"I purchased the "Master Course in High-end Blocking and Staging" on a recommendation in a book I read. One can never be certain of what these things are. For the most part the majority of "how-to" references rarely do little more than re-cycle what is already out there. However, like the classic "Grammar of the Film Language," this master course is simply outstanding. It communicates in the very medium for which it is intended. If the goal is to transfer knowledge, there is no question it succeeds. The only issue is that you have to curb your excitement and walk instead of run through it. As far as value, it is certainly worth every penny I paid. It is and will continue to be a valuable reference. And that is something I cannot say about most of the "stuff" I've purchased in this subject area."

Mark Willner, Angel Station Corporation

"Watching Hollywood Camera Work is like taking several classes in blocking: The amount of the provided knowledge enormous. It's definitely worth the money and I highly recommend it."

Jan Becker, Director/Producer, Blue Tree Productions

"As an actor, Per Holmes's course has been invaluable to me in broadening my industry perspectives and gaining an insight into the concerns of those behind the camera. I'm sure everyone will find this excellent training tool to be useful to them."

Napoleon Ryan, Actor

"I want to thank you for your work on this course. I've shot video for years, yet the way you present the material makes it come alive and make sense.

It is the kind of course I know I will return to. You are making a great difference in how visual stories will be told. Knowing the tools and how they affect our perception are crucial to telling an effective visual story. (And, of course, the corollary is that something similar should be done for sound design and scoring.) Once again, thank you, and keep up the great work."

Paul Brand

"I've just watched the first 10 minutes and although it's covering some basic stuff that I mostly already knew I'm already blown away by how clear this system makes everything and wishing I had this set about 10 years ago! And I've never heard anyone mention that cropping below the knees makes it look like the character is standing in something before but it's so right! Will avoid in future. Can't wait to watch the rest! Thanks again!"

Anthony Sutcliffe

"Our company is a small Hungarian Computer Animation Studio and we create full CG films (usually for games) and VFX Shots for movies. You can check out our work at www.digicpictures.com.

Your Hollywood Camera work is a really great piece and our animation guys studied it a lot. Thank you for your hard work to create such a useful learning material!"

Gabor Marinov, VFX Supervisor, Digic Pictures

"Buying the course was the best thing that I have ever done in my directing career. It was more than helpful, simply solved all of my blocking problems, and gave me more confidence. The course is full of secrets that no one can find or know except after many years of experience. Thank you for your great effort."

Tarek Abdel Salam

"The finest collection of camera-wisdom you can find! Whenever I start it, I learn something or get a great idea. It's massive, yet structured and clear. And simply inspiring."

Christoph Schinko - Producer, character animator

"I think you did an outstanding job! I like how utilized the 3D "actors" so that they were there to support the concepts of the material, not an animation project in their own right. I like the small touches of how some of them would be "grayed out" when they played a smaller supporting role in the scene. I found the disks I've watched so far to be clear, concise and informative. The DVD's don't contain a lot of extraneous fluff. So I found myself engaged and learning."

Chris Froberg, Eye Popping Graphics

"Hollywood Camera Work is amazing and rich material. I did learn things that I could only imagine to learn. It is so well represented in 3D, so clear to understand every scene, shot, angle, etc. I wish for you in the future to do a Hollywood Camera Work "Lighting" course. Lighting in all kind of situations, indoor, outdoor, day, night, bouncing, different appertures, the correct film for this type of set light, etc. I can imaging this represented so well in 3D like the one you did."

Luichi Tejeda, Dominican Republic

"I have only looked at a number of the chapters on different DVDs and a few things hit me square in the head. First off, I NEVER realized how much thought, planning and work went in to staging a "simple" scene. It's truly amazing.

I also realize how much work YOU put into creating these DVDs. For example, the chapter on different focal length lens helped me understand, although I knew about focal lengths in photography since my dad was a pro and taught me a lot of that kind of stuff, how differently a scene can come across based on the impact you're trying to create.

Finally I realize how little I know about this whole area and how much more I need to know. I feel like the DVDs give me an insight into film making that I could only get at the side of a real Hollywood Cinematographer or Director. Thanks for all the work you put into them and good luck in the future!!!"

John Orban

"The Hollywood Camera Work DVD set is really great and FULL of useful information. Just one section from one DVD is abundant with info. The use of 3D actors is a creative way of teaching. The user really gets an unbiased feel for each shot because of the lifeless 3D actors. I would highly recommend this DVD set to anyone from amateur to professional."

Katie Kosko

"I have seen 3 DVD's so far, and I have never seen anything like this before. I love it, and it has taught me so much regarding the 180 degrees rule, and also staging techniques. Once again thank you very very much."

Daleep Singh

"Hollywood Camera Work helps you broaden your filmmaking mind and really opens your eyes. It adds another dimension to your directing skills."

Peter Campbell, Writer/Director, Sydney, Australia

"I learned so much from this course. No one ever taught me about blocking and staging this well. Thank you for the great course!"

Massimo Burhanuddin

"Clear, succinct and thorough. A powerful tool."

Jordan Sommers

"Once, there was a child who didn't know how to write down his thoughts. The child found a piece of white chalk and used it on a street, to show the thoughts to everyone else. One day, there were was a stranger looking down at the drawings on the streets and he said, "Why don't you use coloured chalk?". The child answered "I don't have any". "I will give you some pieces of my coloured chalk", he said and the child began to draw. Everybody who drove by since then, was embarrassed that the drawings on the street where so good. The child found a "treasure", how to make colour to the picture. For me as a Filmmaker, I found such a treasure, and it's called Hollywood Camera Work."

Stefan Sonnenberg, Sunnyday Productions

"I'm a screenwriter who is seguing into film directing. I've been studying your dvds and i am learning a great deal. I come from directing in the theatre where we must learn to evoke dynamics and focus by virtue of composition, architecture, levels, stage props, lighting, traffic patterns, actor placement, etc.

What I'm learning from your course is that the camera is actually a silent actor that can elicit emotional dynamic by virtue of placement and movement. You've provided me with all the tools to effectively use this silent actor. Now, it's a matter of me learning to use it judiciously!

One slight complaint: I think your narrator, although well-spoken, speaks a little too fast. There is such a wealth of information couched in each sentence, I could have used a lslower delivery. It would be good to have the text to complement the dvds.

Kudos on a wonderful project!"

John Winston Rainey

"It's a great course, should be in the library collection of every media designer."

John Ngien

"Since I seriously got into film making several years ago, I have been asking just about anyone with real film experience where I could learn this part of the art. I have spent thousands of dollars on books, courses, and training DVDs on all aspects film making, but blocking and staging was something that there is very little real information on. I have taken courses at a prestigious film school on the east coast and was going to take another DP class with a noted filmmaker.

When I saw the sample lessons on line, my jaw dropped as I knew this was what I had been looking for. I didn't take the DP class because of your lessons. In all honesty, I know I couldn't have learned near as much in the DP class. This is an accumulated lifetime of knowledge of an extremely talented individual condensed into a few plastic disks. How much is that worth? Priceless! Unlike a class, its all there for you to study over and over, and you will need too. This is as concise as you can condense knowledge without losing anything. You should know it will take alot of time to digest all of these lessons, this isn't something you casually watch and absorb.

Without exaggerating, when I first watched these lessons, I had moment after moment of film satori. I knew this was it, the holy grail I had been looking for. Now it is up to me to really learn it. I know you will never find anything like this in any film school, it's just too huge a body of knowledge to pass on in any half dozen classes. I thank you, because of you and these courses, I know that anyone who is willing to study can bring their game up to a level they never could have achieved without a lifetime of hard won personal experience working fulltime in the film industry."

Brian Findlay, Giria Productions

"This course is, I think, the absolute best, awesome and exhaustive course on camera work! I didn't know there was so much to know!

I can't find another course this complete and a bang for your bucks! Courses with a live trainer can never go into this much detail, and they usually cost 5 times more!

I also love the fact that I can rewind, revisit, fastforward, skip things at my will and pace, any time that I'm ready!

The instructions and explanations are the epitome of clarity, straightforwardness, easy to understand yet deep and insightful! The 3d animations only add to this. No fancy unnecessary distracting graphics, bells and whistles. No BS!

Big thanks to the hollywoodcameraworks team for putting this together, it has added a lot of value to my films!"

William Truong

"I've been learning moviemaking (aspiring director) since sometime ago and mostly by myself. I used the Internet for that and thru the Internet I came along Per's Hollywood Camera Work website. I saw the samples he had on his website and I ordered the DVDs.

I was very pleased with what I saw! Every DVD have 3D examples and explains very well each camera movement (also has short 3D films as examples).

Now I understand much better how camera should work in certain situations. I would recommend Hollywood Camera Work suite to anyone who is new in filmmaking and I guess it is useful for who has already some experience too.

Thank you Per for your hard work in putting all these together!"

Mircea Goia

"The Hollywood Camera Work DVDs are not just a great tool for Directors or DPs, it also helps actors understand why a Director is blocking a scene in a certain way. The workshop teached me to do my work much better and took me on a new level of acting. I can recommend the HCW DVD-Bundle every actor who is interested in improving his skills."

Ivan Robert, Actor, ZOOM-Entertainment GmbH, Germany

""The Master Course in High-End Blocking & Staging" was even more informative than I anticipated. After taking several film classes at De Anza College in Cupertino, CA, NONE of the classes even came close to teaching me the same principals that I picked up in the DVD series.

If you're looking for a true learning experience with camera techniques, then buying the DVD's is well worth the money. I can't wait to delve into the "Visual Effects for Directors" DVD's that I just purchased as well! I'm looking forward to anymore film & video production training DVD's that you produce in the future. Great job!"

Dave Bakke, Independent Video Producer, Campbell, CA

"HCW is the best learning tool I know of to understand camera blocking. I've read a lot of film directing books, and none of them get even close to the amount of information I got watching the HCW DVD's. Thanks Per for creating such a great tool, I look forward to any new products you create."

James Garcia, Film Student

"The Master Course is fantastic backbone of theory and concepts that can help you solve real world problems quickly, right there on the set."

Nick Hansen, TVC Director, Swingtime Creative, Sydney, Australia

"I have found no other resource that covers blocking and staging as well as this dvd set. A perfect compendium of tried and true techniques. Truly a must have for any director who wants to know more about getting good coverage."

Brett Stumpp, Writer/Director

"I'm new to the world of 3D computer animation. And while there's a plethora of instructional material on how to utilize all the various software applications out there, there's only one choice when it comes to directing/staging/blocking. It is all too often a subject overlooked by 3D artists who are too overly obsessed with creating eye candy, that they neglect the strategic importance of thoroughly planned camera work.

After watching through all the "Hollywood Camera Work" instructional DVD's (a couple of times), I now know I will not succumb to this pitfall, as my scenes now ebb and flow with the continuity that you'd expect from the big boys... Kudos to Per!"

Brendan Hogan

"This course is simply the single best film study course I have gotten. I have a whole library of all the books and workshops, etc. but it wasn't until I purchased this course that I really felt like I might be able to do this stuff myself.

I am an amateur film enthusiast who has always been interested in trying to make a movie. However, I was becoming more and more frustrated after reading all the books and being overwhelmed in trying to visualize what it all meant with the diagrams and pictures.

Now actually being able to see how all the shots and set ups look in 3D is tremendous. This course is EXCEPTIONAL in illustrating the how-to's in a clear, fun and easily understandable manner. I congratulate you on this and am thankful for the knowledge."

Rich Dunn (soon to be filmmaker)

"The lessons of The Master Course are the standard by which all others should be measured."

Paul Saskas, Instructor, Art Center College of Design

"Hollywood Camera Work really opened my eyes. It's a great pool of knowledge for filmmakers of any kind. The complex material is explained in a practical and catchy way. Extremely recommendable."

Philippe Weibel, Director and Producer, Switzerland

"These DVDs clearly and systematically work through an amazing array of camera angles, blocking & staging. It also highlights and resolves issues that may arise in production. Great product, value far exceeds price paid."

David M Myers, Reel Home Productions

"Hollywood Camera Work is the most comprehensive, detailed, and practical work I have ever encountered on the subject, and the computer generated models clearly covey abstract concepts in a way no book could ever match. If you're only going to buy one work on the subject, make it this one."

Robert Romeo

"I have been a professional videographer for 20 years and figured it would probably be about the third or fourth DVD before I really started learning anything. Wrong! From the first disc on you will find practical instruction that is a mile a minute. There was so much information that I found myself pausing it often just to let my mind catch up. Highly recommended!"

Jason Prisk- President/Producer, Glassworks Media, Atlanta, GA

"The Master Course in High-End Blocking is the best resource on the market for shooters. What surprised me about the course is that it is as much about editing as it is for shooting, so that you always get the maximum amount of coverage for post. This is the technique course I should have had in school."

Brant Wells

"When I received the course, I simply was not ready to find such an excellent material on camera blocking and tracking techniques. The Master Course in High-End Blocking & Staging goes straight to the core of film staging and covers a great deal -- if not most -- of the potential approaches on staging a scene and blocking the camera.

The course is well structured, thorough, practical and greatly instructive. The voice is clear and to the point and matches perfectly with the 3D examples, which are extremely illustrative.

I recommend this course to all wannabe filmmakers who cannot afford to spend their time and money in a live course. Once you have watched though the 6 DVDs of the Master Course, the experience of watching a feature film will never be the same.

Per Holmes has provided an extremely valuable learning resource that will remain the cornerstone for film staging and blocking technique for years to come.

Thank you very much!"

Eduardo Martin, Las Palmas, Spain

"I am writing to Thank You for your incredible work on the Master Course in High End Blocking and Staging. I have been producing videos for several years now and was ready to take our work to the next level. This course was exactly what I needed. It developed my awareness of many issues to a much higher level. Our production values have increased dramatically and several compliments have come in regarding the overall "flow and feel" of our work. I have to thank your course for that.

I recently purchased your Second Course (Visual Effects for Directors) and have just begun working my way through the DVDs. So far I am as impressed with this course as I was with the original.

Thank you again for taking the time to develop such an incredible and in-depth course."

Bill Wilson, Always & Forever Productions, Inc., Las Vegas, NV

"As a producer / director, I'm constantly looking for ways to increase the quality and efficiency of my creative choices. Whether in pre-production or "on set", using the palette of information contained in this series has allowed me to make better "on-the-fly" decisions. Hollywood Camera Work has reduced my need to experiment and when it comes to the subject matter, these DVDs get straight-to-the-point.

The Master Course In High-End Blocking And Staging contains so much "how-to" information you'll want a personal copy as a reference for your own library. Whether you've attended the most expensive film schools in the world, worked in the film, video, 3D animation or gaming industry for years, you will still find this series extremely valuable as part of your toolset. There is so much detail in this series it's likely you will never be able to use all the potential blocking scenarios provided in this program. It's simply the best instructional DVD series I have seen on the subject.

For my company it's become required viewing for anyone involved in the pre-production process of our films."

Robert A. Brubaker, Producer / Director, Resonant Image

"The "Hollywood Camera Work" video series has become the industry standard that all video tutorials should aspire to. Everyone who is serious about learning to direct, or to direct photography needs to own this series and have watched it several times."

Leha Carpenter

"Hollywood Camera Work is the only program that covers the "Why" behind every tool in a filmmakers arsenal."

Daniel Reifenberger

"Without a doubt, after watching the videos I can't watch a movie without seeing all the different types of shots used and to realize why they were chosen. The videos are well laid out and each segment is narrated in such simple and clear terms that you will grasp so much information the first time you watch. I have yet to watch them a second time, and I'm sure I will learn more but the fact you can retain so much information the first time watching is a welcome value.

Its hard to attribute any direct credits because after you absorb the information you just seem to be able to apply it and also see the techniques in use, whether you are watching a movie or a commercial.

I wish more video training was done as clearly, with as much competence and cadence that these videos had."

Regards, Jason Clark

"Hollywood Camera Work is amazing, very informative and I've learned a lot. Now I'm here in my the Philippines doing my first full length movie."

Chris Clapano

"I would like to congratulate and thank you for creating your program. I would recommend your program to anyone who would like to become a filmmaker, director, producer cinematographer. I found your program to be very easy to understand and be very effective teaching tool.

I would recommend this program to be used in all film schools."

Artur Kade, Director, Participate Film Academy

"The hollywood camera course is the best I 've ever used. With this course you get hands on actors to work with and an explanation of their relationships to scene blocking, camera movement and production setups This course should be mandatory for anyone attending film school or a college communication program. The hollywood camera course is not for the twenty four hour wanna be. It's for those who seriously want to bring their talents to screen and master the technique of visual setup."

Stewart Allen, Director

"The high-end blocking and staging course is exactly what it says it is- a master-class in how to position and move your cameras, actors, track, crane, dolly (and actors!) to create the most professional, elegant and coherent cinematic experience in your work. The course bears repeated viewing because once you've got the hang of the basics, there's an awful lot of depth to keep coming back to. It is the best DVD training course I've ever used."

Hywel Phillips

"All my life I have been very interested in making movies. Not big Hollywood productions but just anything, and whenever I could. Shooting on VHS and editing between 2 VCRs was something I spent a lot of time doing in my early teens. Eventually felt that I had a good sense of where the camera should be but never felt totally comfortable in that area even with years of practice.

I watched the first HCW DVD and later that night when a popular action/drama was on TV I could easily see the techniques the HCW DVDs had laid out and why they worked. Camera work suddenly made much more sense in my head. The rest of the DVD set just kept giving me more and more valuable information. Thanks for making such a great teaching tool."

Rob Cleaton, VFX Artist

"Top notch - my head is still spinning. Really is multiple life-times of knowledge in a few DVD's - great stuff. I just handed my breakdown to my DP and Producer; who had never seen one so clean and precise! I'm now treated like a pro - now I have to prove it!"

Matt Leach

"The DVD set is great. It's full of insight and is well structured. A great resource for working directors and cinematographers."

Jorge Valdes-Iga, Director / Cinematographer, Feature Films: Hotel Chelsea, Cocaine Cowboys II, You Can't Kill Stephen King

"P.S. I just wanted to tell you how much I enjoy viewing your courses. I have been in the business for twenty years and I have learned more about shot composition in a couple of hours of watching "Camera Work" than I have in all those twenty years of being on set.

So much of what I do every day in getting a shot is based on coverage that is based partly on time and budget restraints, location considerations and on what is considered the "safe" or "staple" shots. I have really learned to look at other ways to convey the information of a scene differently since watching "Camera Moves"."

Glenn Dreher

"Hollywood Camera Work will literally have you working in Hollywood, if that's your #1 Goal. After viewing the entire Disk Set a couple of times, I've added a ton of new tricks and techniques to my arsenal that I didn't even know were possible. It's The Real-Deal-Holyfield!!! I highly recommend."

Tommy Red, TheHollywoodScoop.com

"Technique - I would have argued that a well written script, an inspired director, or a dynamic actor have far more power to provoke a scene than anything that good camera technique could offer. My philosophy on this was understandable since I approach most projects as a writer/director/actor. But WOW - I was blown away by the power of camera technique demonstrated from these tutorials. And mind you, although these scenes are in three-dimensional space, they contain NO dialogue, NO music, NO real actors - just 3D models. But even under this most intentionally neutral environment - by watching the edits cut from one well planned camera to another well planned camera - I found myself literally drawn into scenes only by the shear power of camera technique and it's subsequent edit. It was unbelievable!

I can't recommend Hollywood Camera Work enough - it could save performances and/or at the very least, enhance the scene... Well worth the investment!"

Lonnie Bell, Mamas Boy Productions

"In my opinion Hollywood Camera Work has created the best course there is for Directors. It has given me an in-depth understanding of visual language, staging and blocking. The course has truly empowered me and have allowed me to tap into techniques that are helping me to become a much better filmmaker. In my opinion Per holmes is a genius."

Ana Corrie, Writer/Director

"This is the best value you will every receive for so little money. The training is excellent and very detailed. If you are looking to learn everything about camera and blocking, this is the resource to have."

Daniel Johnson

"The Master Course in High-End Blocking & Staging should be at the top of your must-have list if you want to learn the language of high-end camera work. It's a valuable resource for anyone who wants to truly master camera work or be a DP."

Paul Cotto

"Everything you always wanted to know about directing but were unable to find! Essential for anyone who wants to direct fiction!"

Mathieu Saliva, Director of Magic Kisa

"Hello to all at Hollywood Camera Work! I just wanted to say what a revelation this series is. As a student and lover of films I have to say without a doubt that the master course in high end blocking and staging has raised my knowledge and ability to a much higher level. As I progress further through the series I can literally see my skill sets advance on every shoot, and I know I am progressing toward true mastery."

Waldo R. Martinez

"University in a box set."

Scott Elliott

"Your course is GREAT! I love it because I've been an editor for more than a decade so I love it...great work!"

Phillip Lefesi, Fresh Farm Films

"Thanks for a such a great product, the best money I ever spent on how to make movies.
Practical and inspiring, every film maker should have this."

Cashell Horganindie

"Whether you are a seasoned veteran or someone starting from scratch, the Master course DVD's will either sharpen your skills or introduce you to the fundamentals of filmmaking. Either way, you're good!"

Peter Winther

"I was absolutely fascinated by this DVD series. I have been in film school for couple years but have never encountered such direct and comprehensive camera work study that breaks down all the camera angles and gives you a bird's eye view of the entire filmmaking operation. It ties together many crucial elements for the Director and the Dp. Most importantly a rare found jewel to keep for reference and education that will never grow old. I recommend it to all serious filmmakers."

Shahla Motamedi

"The Master Course in High-End Blocking and Staging is the instruction that I've been seeking for years, containing a concrete, concise, and staggeringly comprehensive body of teaching that goes far beyond anything I learned in my master's degree in film. This is years' worth of learning in a box for the cost of a weekend seminar."

Luke Murphy

"Phenomenally innovative and refreshing, iconoclastic, breaks new ground in cinematography."

Greg Keast, Hawaii Film School

"After watching this course, you will find yourself dissecting every TV show and movie you see. And what's amazing is how you can tie nearly every shot back to a lesson in the course. It has it all.

Armed with this knowledge, your shoots will go more quickly and the results will be far superior to what might have been 'figured out' while on set without it. It still comes down to the artists involved, but this course helps you remove much of the camera positioning and blocking from the endless list of 'what ifs' that go on.

Thanks for the great course, looking forward to the next one."

Doug Bonomo, Tier 4 Productions

"It's all very well reading the books, taking the lectures and questioning the practitioners, but there is no substitute for actually *doing*, with perhaps one exception: The Master Course in High-End Blocking & Staging. As a multimedia-designer, I don't have access to a set, a half-dozen cameras, a dozen actors and spare days to learn, but I do need to know this stuff to brief my suppliers and budget the shoot, whether it's real or CGI.

With these DVDs I can 'direct' from the comfort of my armchair, plot the camera angles, judge the effects of different lenses, block the scene and watch the 'actors' move, and see the final effect on screen just as I could by actually looking through an eyepiece and exposing film. And what's more, I have a master director shadowing my every move and telling me *why* I'm doing it. While it's still not as good as actually having done this stuff in reality, it's as close as I am likely or need to get, a damn site easier and cheaper, and I'd lay bets my suppliers think I *have* been behind an actual camera..."

Andy Warwick, Creed New Media

"The Master Course is a pretty amazing journey to go through. You learn so much, and at your own pace! If you don`t want to rush it, take your time. It`s packed with information, and if you watch it a couple of times, learn from it and try it out, I can almost guarantee that you`ve gotten yourself a future career in the film industry!"

Fredrik Honningsvåg - Director

"I found your training online through Digital Media Net Newsletter. They did a review of the DVDs and I knew right away that I was looking for just this type of instruction. I look for training that gets me right to the point and shows me how to get things done. I don't have a lot of time to spend on my video projects for work, so when I can pull up a topic from your training and see how to set up and shoot a scene, I am glad I spent the time and money to purchase your work. They help me take my projects and add a touch of professionalism that I was lacking before studying your DVDs. Thanks a million!"

Michael Paulus, Champaign Police Department, Training & Development

"Per Holmes is a genius. He has created a high voltage, radically unique Master Course without equal. It is stunningly insightful, imaginative and powerful. If you are seeking camera work wizardry, then watch this unparalleled creation, learn its lessons and enthrall your audience."

Sandeep Singh, President, Marketwise Communications, Inc.

"Hollywood Camera Work taught me the things I didn't even know I needed to learn. My focus is animation, so up to this point I've learned to move the *characters*. Now I realize how important the position and movments of the camera are. This set is more than worth the price."

Warren Christiansen

"I am producing now for several years videos and animations and know therefore quite a bit about camerawork. These DVDs explain systematically every possible aspect of this complex topic in a way I have never seen it before. Things get automatically structured in your thoughts and while watching the DVDs you will think of new ways how to shoot your next production. It is a really great learning resource which inspired my work a lot."

Joerg-Mark Kasassoglou, JMK Media Solutions (Germany)

"This training is PACKED with information. It appears that very little is left out of the discussion. The pace is rapid, but with a DVD you can review the material at your own pace. The unique idea of using simplified 3D models staged in a basic background makes the training accessible, easy to understand, and retain.

You can see clearly how certain shots will give emotional effects despite the complete lack of acting on the part of the 3D figures. I have gained a tremendous knowledge of cinema techniques just in the first volume alone, and there are five more beyond that! Now, when I'm viewing movies, I am seeing exactly why a shot is made a certain way, and I am able to transfer these ideas to my own work. Hollywood Camera Work is several years of intense film school captured in a six volume DVD set."

Mike Perry

"This series is a real eye opener and exactly what I was looking for. I really feel like I know what I'm doing now."

Stuart Denbigh

"Fabulous courses, very well explained and detailed. Several hours of classes to hear and watch. The content is so comprehensive that it has become my reference course. For all directors wishing to improve their direction in a creative way: Master Course in High-End Blocking and Staging. Thank you for this wonderful treasure."

Branislav Miskov

"I'm learning a lot and I've already seen an improvement in the shots I'm taking with a film I'm working on."

Dave Jem

"Mindblowing. I've just bought the DVD course. I'm a university student at Middlesex University in the UK and I had to argue myself into justifying the expenditure. It was worth every penny I spent. I thought I was reasonably competent until I studied these DVD's. They are mindblowing."

Sabia Byrne

Film Student, Middlesex University

"Hollywood Camera Work has made my life simpler. I DP for Bollywood films where a language barrier can be an expensive time-consuming factor on set. Communication is bridged using the easy to learn shorthand system for blocking scenes, which is now a permanent constant in my shot planning. It naturally allows for the consolidation of shots giving sequences an organic flow with increased visual interest and life. Additionally, I can train a crew much faster with this intuitive visual system. A tremendous tool for Pro and Novice alike. Great idea generator as well."

Leon Rodriguez,

Filmmaker/Cinematographer, Blue Hill Cinema

"I've been interested in cinematography for some time, but did not have time to go to film school. I read most of the standard books on the subject that were recommended, which helped for some areas. Ultimately, however, a book is a static medium, and cinematography is the study of moving pictures. This proved frustrating as I always felt like there was some significant link missing between the standard list of shot types and the sweeping feel of high end motion pictures.

The Master Course DVD set is exactly what I was trying to find -- it is the most directed learning in the subject that I have experienced. I lost count of the number of times that I had a moment of sudden clarity while watching the segments. Instructional videos rarely make full use of their medium, but this set is an exception. If you already understand the usual shot types that are repeated in every beginner course, and want to learn to think in the interlocking patterns of high end cinematography, then these truly are the DVDs that you are looking for.

Can't wait for the 'Visual Effects for Directors' set . . thanks again for putting this level of instruction together."

Eliot Mack

"As a "newbie" of less than one year to the film business I am about to direct a full length feature film in the UK. After buying anything and everything on the subject I watched the samples on-line and finally took the plunge and purchased The Master Class course.

Ten minutes in I had to change my storyboards and came up with bigger and better scenes as the course showed many new methods I had not even thought about. I decided to go straight on to Discs 3&4 so it could not be returned and I can safely say that this is the best and most in-depth course I have ever had the opportunity to see.

Impressed with the responses to emails, impressed with the customer service and totally impressed with the product. Watching this set before you put pen to paper or even attempt to storyboard is highly recommended and opens up a whole new world. Hopefully the film is going to have a theatrical release and I look forward to giving you a BIG CREDIT (with consent).

Anyone who wants to hear me sing its praises more than I have is welcome to ask Hollywood Camera Work for my email address. I am just looking forward to the release of Visual Effects for Directors (that's even if I don't really need it).

The only down-side to it is headache from imagining all the new shots and that my signature on the film may now be thousands of pivots / converges and reveals."

Alan Girvan
Writer / Director
Dominos, The Road to Spain

"No School in the world can teach better these dvds. They changed my performance from an amateur to a professional. Whenever someone appreciates my work I thank each and everyone who contributed their time, effort and energy in developing these DVDs."

Dinesh Potluri, D.P., HIDEF Technologies